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Institution-verified Root artifact

Landscape after Guo Zhongshu

Bada Shanren (Chinese

Landscape after Guo Zhongshu

Painting · Hanging scroll; ink on paper

Landscape after Guo Zhongshu (仿郭忠恕山水), c. 1680–1705. Bada Shanren (Chinese, 1626–1705). Hanging scroll; ink on paper; painting: 109.9 x 56.4 cm (43 1/4 x 22 3/16 in.); overall with knobs: 247.7 x 84.5 cm (97 1/2 x 33 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1955.36

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Descent of Landscape after Guo Zhongshu

§ marginalia

Annotations from the network

Footnote-style observations from other contributors, folded into the layer's margins. Visible, but quiet.

  1. 01

    Note how the Prussian blue sits in the wave's trough versus its crest — later Hokusai impressions stabilize this gradient, but early pulls like this one still feel like the pigment is being tested against the page.

  2. 02

    The cover of Debussy's 1905 Durand edition of La Mer reproduces this print at the composer's request. A cross-medium lineage worth branching into its own layer.

  3. 03

    Cross-impression XRF of this series (see descendant analysis) supports distinct pulls over the run — not a single uniform batch, but a recarved block drifting as it wore.